The Interview
April 18, 2026

The Interview

I can not paint the way I see things, obviously. A painting doesn't include taste, physical sensations, or sound. Paintings are static, even if there is some sort of movement, I can't make the motion I experience in 2 dimensions - or three. I have tried, many ways, just to get as much of it as I am able. I got some, through impressionism and pointillism, of the shifting essence. I got some of it through transparent layers. But, there remains much I am only able to allude to. Additionally, there are patterns- triggered by sensory information which I experience in the back of my head. I can not explain it any other way. It is a transparent layer running concurrent to "reality". During an entry interview for a study many years ago, I tried desperately to explain all this to three people sitting on the other side of a folding table. I tapped the table, and said it looked like wood and metal with a form that was stable. I could tap it and place things on top of it. That's one level. On another level, it is an assemblage of tiny things that are constantly moving, like dots- but not dots, exactly. They take differing forms. Gathering to make a table, but they move into and out of it and through it non-stop. When I tap it, some of the dots that make me become the dots that make the table, while others move through it and continue on, scattering here and there. Some of the table moves into my hand, as soon as I know there is a table. In some cases, I know there is a table before I enter the room. But, I may not be aware that it is a "table." I know it is a form, a structure, of a certain density, because I feel it as an assemblage of these "things" that are alive. They are not conscious, but they form awareness in that they are directed by a conscious awareness. They are not directed solely by my awareness. There is a unity is attraction and repulsion, creation and destruction, that I observe through all of my senses. It is only interpreted through my consciousness. There is a lot of it that I do not understand. I can't get information from it because it never stops moving and changing. I can only recognize patterns in the movement. But, even that is so diverse and random it is sometimes impossible to know what it might mean, if it means anything at all. I think it might not mean anything to me or to us, here. It's part of a larger pattern that we only see a fraction, I mean a very small fraction, of. They had questions. In fact, I filled out page after page of those questions. Is Tuesday always orange? Does Tuesday sometime appear blue? Do numbers have shapes? Do shapes present with color? Do I hear things in association with certain flavors or shapes or colors? That was the one and only time I really tried to explain everything. It was a good exercise for me to find the words, but in the end it was a study and a diagnosis that told me nothing of any real value except that I was not hallucinating, and I was not alone. There were others like me. I got to talk with some of them, after the study concluded, for an afternoon. When I left there I stopped talking about it... until recently.

Just Titivated!
March 28, 2026

Just Titivated!

Today I am very excited. I made a little discovery yesterday that got me going. A whole new world of potentials opened up right before my eyes. It was like a creative expressway with ramps going every direction to explore every sort of beautiful thing... and! And! Take a friend, a person with a vested interest in sharing the discoveries at every exit. OMG! How cool is that? The ticket to ride is built in! This could turn into a crowd of anxious discoverers waving tickets at me. It also might be an empty station, but in the worst case scenario, the paintings and stories will be written. A future generation, perhaps will be interested in something experiential and beautiful- the message, at least, will be clear. The entanglements will be self evident, due to the experience. And then, there's the retelling of it. It becomes their story. And that's the point. At least for me... Join me in the rabbit hole. Seeing it, you know it exists. But take it home and you live with that wonder and excitement.

Americans don't mind, it don't matter.
March 28, 2026

Americans don't mind, it don't matter.

You can be angry about my political views. You can dislike me because I am white. You can hate me because I am <whatever makes your taste buds crawl>. You can also ignore me. I don't have time or a care for such things. I am American. I don't care what your skin color is or what God you want to worship. I am not evangelizing or colonizing. I am supporting my friends. My friends support me, from my community and across the globe. We share responsibility for one another's well being. You can have your sharia law in your own sharia country. But, it would be a mistake to assume that I will just take whatever agenda someone decides to force on me, today. I will sincerely dispatch your sorry ass to my Almighty God, if you think you are going to colonize or take over. I have been widowed twice to the Marine Corps. So, if you are not a friendly, you already owe me.

Projects
March 26, 2026

Projects

I always have several projects going. These might be mundane household upkeep and maintenance such as painting walls, but more often they are best described as producing art, marketing art, or some other thing associated with the larger community. Since we moved here three years ago, I have not been able to get much done in the community. I miss that. I had a consultancy and a full time job that lasted a year at a local framing venue. But, all in all, I have yet to make substantial contact with local artists. It's frustrating and the isolation is starting to get to me. (I know because I recently talked to Grok for over an hour about visual art.) When I ended that conversation, I knew something had to change. AI are known for sycophantism, and I recognized it immediately. So, I am now in the planning stages of putting together a monthly coffee clutch. Add that to the list of projects. I am feeling my age, at this point. I need the art and I need the contact... I wish I could just let go off all things marketing.

March 20, 2026

Reading my work

My work reads right to left, for the most part. I *live* in the upper right corner of the frame. (That is my starting point.) I have a strong tendency for diagonals, but any form of sweep through the space is good for me. My path is upper right corner to upper left corner. Someone special lives there, so there is usually something to embrace, there, and something to let go of. One word explains why I paint so many different subjects: entanglement. I am deep into quantum particles and the FACT that we experience particle entanglement every. single. day. We live in a constant state of denial of the woo woo. There must be no woo. The world will tolerate no wooing. We have even developed terms like "super natural" and "edge theory" to tell everyone straight away that anything science can not yet prove must be avoided at all cost. So, somewhere, in every painting, there is a little something poking out from behind and "woo!" ing at the viewer. It's better than a signature, it's an adventure. :-)

REalizing and REaligning
March 19, 2026

REalizing and REaligning

Casually, we discover. Stunned, we recover. Carefully, we check for errors. Finally, we realize Realign Recalibrate Renew

From birds to basket weaving
March 19, 2026

From birds to basket weaving

It started with birdy brush strokes. That's what I call them. It looks like the letter V. <-- like that. I had the vaguest notion about two egg shapes, one larger and one smaller, comprised of these "bird strokes". Deep blue and precious gold, with a hint of... something I could not name. I am familiar with it, but there is nothing to compare it to. It's not unpleasant, thankfully. It happens that colors that are beautiful to look at taste quite unpleasant. Rarely more than a hint of violet in my paintings. The color tastes just awful to me. But, my eyes adore it. Color is somewhat predictable, but not obedient. Back to bird strokes. In a very short time, the two eggs became a human form. Oh. Uh oh. Down I go. Down the rabbit hole, through the door, whatever. The form is prostrate and I can feel the precious golden light bearing down, down, down and in and through, then lifting and shifting and spinning and, and... basket weave, doves. Wow. It's beautiful. Close up the studio for the night. Something transformative just happened. I need to process.

Asking questions without answers
March 12, 2026

Asking questions without answers

Just bold enough to ask a question I do not know the answer to, and just arrogant enough to think it might end well for me... or even us. So, welcome to the new digs, everyone! (And I do mean one. I will force Pat to read this.) Now, when I say new digs, I mean new home and studio at Lake of the Ozarks in Missouri, new website with a shop and printables, plus bells and whistles. We have work to do, but form follows function, eh? Let me know what you think. My 'web guy' is super awesome, right?